This index began in April 2016.
† indicates reposting from our former websites, begun in September 2016.
DECEMBER 2017
Wilde Events
- A new Wilde production in Paris
The Artist as Critic 
- Dan Pearce: Oscar, the Second Coming Part XXXI and conclusion
The Critic as Critic
- Thomas Wright on Nicholas Frankel’s Unrepentant Wilde
Wilde Publications noted
- Article by Angie Blumberg
NOVEMBER 2017
Wilde Events
- Wilde productions in Amsterdam, Buffalo, London, Paris
and Sydney - Lecture by Nicholas Frankel in Delaware
Announcements: Lectures, Conferences and Calls
- Call for Papers: Victorian Fantasy
- Call for Papers: Victorian Forgery and Imitation
- Call for Papers: Fraud and Forgery in Literature of the Long Nineteenth Century
- Conference: Curiosity and Desire in fin-de-siècle Art and Literature
Awards
- The Richard Stein Prize
The Artist as Critic
- Eleanor Macnair: Oscar Wilde
- Dan Pearce: Oscar, the Second Coming Part XXX
The Critic as Critic
- Michael Y. Bennett on Philip E. Smith II on Wilde’s historical criticism
Library
- Arnold Bennett on De Profundis †
- Nevin Yıldırım Koyuncu on Wilde and Stoppard †
- Isobel Murray on Dorian Gray †
- Robert Ross on The Soul of Man †
Wilde Publications noted
- Articles by José Angel García Landa and John Kirkaldy
- Book by James Hodgson
- The latest publications by the Oscar Wilde Society
OCTOBER 2017
Announcements: Lectures, Conferences and Calls
- Wilde and Beardsley in Sweden; Decadent Women in Oxford; Wilde at the Sorbonne; Ruskin in London
The Artist as Critic
The Critic as Critic
- Roselinde Supheert on Martine Englebert on Wilde music
Library
- Margot Asquith on Wilde †
- Julian Maclaren-Ross on Wilde †
- Michael Molino on Dorian Gray †
- Robert Ross on Salomé
- A.B. Walkley on Lady Windermere’s Fan †
- Eibhear Walshe on Wilde as gay Irishman †
- Barbara Wright on Baudelaire and Dorian Gray
Links
- Newly revised
Wilde Publications noted
-
- French translation of the latest Brandreth
- New collection of aphorisms edited by Colleen Sattler
- New French edition of Teleny
- New book on Wilde by Nicholas Frankel
Other Publications noted: Fin de siècle
- The Backhouse memoirs
SEPTEMBER 2017
The Artist as Critic
The Critic as Critic
- Noreen Doody on Desmarais and Baldick on Symons
- Giles Whiteley on Michael Y. Bennett’s collection on Wilde and philosophy
Fingal’s Cave
- Wilde Glimpsed from Afar (17): Wilde on the Western Front
Wilde Publications noted
- New article by Natasha Frost
- New article by Christian Gerzso
- New article by Helena Gurfinkel
- New article by Emily Orlando
- New article by Simon Stern
- New article by Giles Whiteley
- Kathleen Riley, Alastair Blanshard, Iarla Manny (edd.) New essay collection on Wilde and Classical Antiquity
AUGUST 2017
The Artist as Critic
- Juliette Frelon: An Illuminated edition of The Selfish Giant
- Dan Pearce: Oscar, the Second Coming Part XXVII
The Critic as Critic
- Isabelle Gatt on the Francis Spiteri Paris Oscar Wilde Collection
- David Charles Rose on Lady Windermere in London and Cambridge †
Fingal’s Cave
- Wilde Glimpsed from Afar (16): Wilde Bill Hickok?
Library
- Jeremy Barris on The Importance of being Earnest †
- Patricia Flanagan Behrendt on The Importance of being Earnest †
- Annie Bisang on Salomé †
- Leon Botstein on Zemlinsky †
- Gyles Brandreth on Wilde as detective †
- Edmund Burke on Wilde’s death †
- Seweryn Chomet on Count de Maunay †
- Peter Cogman on Salomé †
- Robert Fraser on Proust & Wilde †
- Elana Gomel on Dorian Gray †
- C. Robert Holloway on Wilde †
- Rainer Kohlmayer on Bunbury in Germany
- Joseph Loewenstein on The Importance of being Earnest †
- Cary Mazer on The Importance of being Earnest †
- Jonathan Rose on Wilde and Churchill †
Some Sell & Others Buy
- A Wilde letter
- A new source of Wilde merchandise
Wilde Publications noted
- New article by Miruna Miru
JULY 2017
Announcements: Lectures, Conferences and Calls
- Wilde and Shakespeare in Paris
- Wilde in Singapore
Announcements: Theatre / Film
- A new film on Wilde
- Salomé at Stratford
- Wilde at the Shaw Festival
- A Wilde season in London
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XXVI
The Critic as Critic
- Gert Buelens on Michèle Mendelssohn on Wilde and Henry James †
- Bénédicte Coste on a collection of essays on Vernon Lee edited by Sophie Geoffroy + Sophie Geoffroy’s response
- Tine Englebert on a production of Antoine Mariotte’s Salomé †
- Gwen Orel on An Ideal Husband in New York †
- Léonee Ormonde on Molly Whittington-Egan on Wilde and Frank Miles †
- David Charles Rose on Thomas Kilroy †
- Eva Thienpont on Maeterlinck †
May I Say Nothing?
- Alan Bergin on Katherine Thurston †
- Faith Binckes & Katherine Laing on Hannah Lynch †
- Marylu Hill on Mr W.H.
- Angus Mitchell on Alice Stopford Green †
- Tina O’Toole on New Women †
- Julie Anne Stevens on Somerville & Ross †
- Sonja Tiernan on Eva Gore-Booth †
The Poetic Legacy
- Raymond Calvert on William Bloat †
Some Sell & Others Buy
- A Wilde MS aphorism
Wilde Publications noted
- New article by Anhiti Patnaik
- The Wildean no.51
- New book by Dan Pearce
- New article by Xavier Giudicelli
JUNE 2017
Announcements: Lectures, Conferences and Calls
- Arthur Symons in London
Announcements: Awards
- The Dunlap Fellowship
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XXV
The Critic as Critic
- Linda Dryden on Henley and Stevenson †
- Ruth Kinna on David Goodway’s Anarchist Seeds †
- John McRae on Hirschfeld’s homosexuals †
- John S. Partington on Ruth Livesey on Socialism, Sex and Æstheticism †
- Kathleen Riley on Christopher Stray on Gilbert Murray †
- Annabel Rutherford on Mary Fleischer’s Dancers †
- Laurence Talairach-Vielmas on John Glendening’s Evolutionary Imagination †
- Richard Toye on John Partington’ s Wells †
Publications noted: Fin de siècle
- The Jewelled Tortoise
- Volupté
Wilde Publications noted
- Articles by Miruna Miru, Ivan Canadas and Emily Orlando
MAY 2017
Announcements: Lectures, Conferences and Calls
- Morris and Ruskin in Toronto
The Artist as Critic
- Thierry Esther: Oscar Wilde Ombre
- Dan Pearce: Oscar, the Second Coming Part XXIV
The Critic as Critic
- Chiara Briganti on Nicoletta Pireddu on Wilde among the Anthropologists †
- John Duncan on Earnest in Oregon †
- Tamaki Horie on Salomé in Tokyo †
- Lucia Krämer on Angela Kingston’s fictitious Wilde †
- Maria Luddy on Karen Tipper’s Speranza + Karen Tipper’s reply †
- Mathilde Mazau on Dorian Gray in Edinburgh †
- Donald Mead on Salomé in London †
- Joan Navarre on Salomé in London †
- Gwen Orel on The Selfish Giant in New York †
- David Charles Rose on Heather White on Wilde at school †
- Horst Schroeder on The Dwarf in Brunswick †
- Jessica Wardhaugh on Sébastien Rutés on Wilde among the Anarchists †
Exhibitions
- Victorian Passions in Delaware
Publications noted: Fin de siècle
- Elisa Bizzotto on Pater
- French Studies
Publications noted: Æsthetes and Dandies
- New article on Lionel Johnson
Wilde in Performance
- The Importance of being Earnest: 153 additions
- Link to the Museum of the City of New York photograph collection
Wilde Publications noted
- Philip E. Smith II’s edition of Wilde’s Historical Criticism Notebook
- New edition of Intentions
APRIL 2017
Announcements: Lectures, Conferences and Calls
- Proust and Music in Oxford
- Antoine Compagnon: ‘Rereading Proust in 2017’ in London
- Authors’ houses
- The Octave Mirbeau centenary
- New work on Vernon Lee
- The VanArsdel Prize
- Call for Papers: Marie Corelli
- Call for Papers: Æsthetics and Form in Victorian Art, Literature, and Culture
- Call for Papers: ‘Curiosity and Desire in Fin-de-Siècle Art and Literature’
Announcements: Theatre
- Dorian Gray in Paris in English
The Artist as Critic
- Peadar Lamb: The Happy Prince
- Dan Pearce: Oscar, the Second Coming Part XXIII
The Critic as Critic
- Aoife Leahy on An Ideal Husband in Dublin †
- Michael O’Rourke on The Star Child in Dublin †
- George Orwell on The Soul of Man under Socialism †
- David Charles Rose on Salomé in London †
- Alan Sinfield on Trevor Fisher’s Wilde and Douglas, and Trevor Fisher’s reply †
- Philip E. Smith on Earnest in Pittsburgh †
- Anne Varty on Giles Whiteley on Wilde’s philosophy
- Eibhear Walshe on An Ideal Husband in Cork †
Exhibitions
- Wilde themed exhibition in Malta
- Exhibition of Wilde illustrations by Patrick Chambon
Fingal’s Cave
- Oscar Wilde and Klaus Kinski
- Wilde Glimpsed from Afar (15)
May I Say Nothing?
- Elke D’hoker on Somerville & Ross †
- Christopher S. Nassaar on Earnest and Alice †
- Daniel Novak on Wilde’s hands
- David Charles Rose on the Chilterns †
- Maxwell Siegel on losing parents †
- Walter Walker on Wilde in America †
- Julia Wood on mythologising Wilde †
- Floortje Zwigtman on her Tricks of the Trade †
Some Sell & Others Buy
- A Wilde edition for auction
- A Wilde letter for auction
Videmus
- The Importance of being Earnest in Monaco
Wilde in Performance
- A Woman of No Importance
Wilde Publications noted
- New edition of Rue des Beaux Arts
- A new collection of essays edited by Annette Magid
Other Publications noted
- Two essays on John Gray by Lewis Whitaker
- A new book on Proust
MARCH 2017
Announcements
- Curiosity and Desire in Fin-de-Siècle Art and Literature
- The Octave Mirbeau Centenary
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XXII
- Jennifer Pohl: Dorian Gray †
The Critic as Critic
- Bruce Bashford on Florina Tufescu on Wilde and Plagiarism †
- John Partington on Graham Johnson’s Victorian social democrats †
- Annabel Rutherford on L.E. Butler on relief in Venice †
- Annabel Rutherford on Catherine Maxwell’s visionary imagination †
- Tanya Touwen on Caspar Wintermans’ Wilde and Couperus †
- Rosemary Yeoland on Gillian Opstad’s Mélisande †
Wilde Publications noted
- A new article by Andrea Selleri
- A new collection of essays edited by Michael Y. Bennett
FEBRUARY 2017
Announcements
- Special offer of Oscar Wilde’s Elegant Republic
- Lecture on William Morris by Charlotte Ribeyrol
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XXI
The Critic as Critic
- Ellen Crowell on Emer O’Sullivan on the Wilde family
- Paula Murphy on Augustus Saint-Gaudens †
- Richard Nate on David Stack on Darwinians †
- Maureen O’Connor on Julie Anne Stevens on Somerville & Ross †
- Richard Olney on Tamara Wagner on Speculation †
- Neil Sammells on David Blake on Walt Whitman †
- David Charles Rose on Alexandra Warwick on Wilde †
- Julie Anne Stevens on Shelton Waldrep on Victorian Fakery †
- Laurence Talairach-Vielmas on Kimberly Harrison & Richard Fantina on Victorian Sensations †
- Eva Thienpont on William Morris †
May I Say Nothing?
- Alex Davis on Synge and Decadence
- Yahia Labibidi on Aphorisms †
- Ian Ross on Wilde as Hellenist †
Videmus
- Begun in January 2017, a new section featuring videos. This month: Aubrey Beardsley and Vyvyan Holland.
Wilde Publications noted
- A new edition of The Wildean
Other publications noted
- A new edition of The Latchkey
JANUARY 2017
Announcements
- Call for Papers: New journal
- Lecture on Wilde and Rachilde
The Artist as Critic
- Fred Aris: Oscar and Bosie
- Dan Pearce: Oscar, the Second Coming Part XX
Assuming Oscar Said It
- A new misattribution
Bibliographies and Collections
- Wilde in the USA (bibliography)
The Critic as Critic
- Emily Eells on Michael Y. Bennett’s Wilde essays
- Stefano Evangelista on David Charles Rose on Wilde and Paris
- Susan Johnston on Susan Ferley’s Earnest in Saskatchewan †
- Richard Olney on Simon Gunn on Victorian Middle Class Culture †
- Tiffany Perala on Merlin Holland on Wilde †
- Tiffany Perala on Travesties in Nottingham †
- Pilvi Rajamäe on Kate Macdonald on John Buchan †
- David Charles Rose on extraordinary gentlemen †
- David Charles Rose on Redgrave’s De Profundis †
- Walter Satterthwaite on Wilde in America †
- John Stokes on Christopher Greenwood on Henry James †
- Laurence Talairach-Vielmas on Anne Stiles (ed.) on Neurology and Literatur †
- Marion Thain on Vineta Colby on Vernon Lee †
- Eva Thienpont on Dassin’s Canterville Ghost †
- Eva Thienpont on Salomé in Ghent †
- Eva Thienpont on Wilde in Leuven †
- Julia Wood on the Selfish Giant in Leicester †
- Linda Zatlin on Beardsley and Dulac in Dulwich †
- Marie-Noëlle Zeender on Mathieu Térence and Will Self on Dorian Gray †
Fingal’s Cave
- Oscar glimpsed from afar 14
May I Say Nothing?
- Faith Binckes and Kathryn Laing on Hannah Lynch †
- Heidi Hansson on Emily Lawless †
- Sandra Mayer on Wilde in Vienna †
- David Charles Rose on Wilde and Rodd †
- Horst Schroeder on Wilde’s Grosvenor Gallery reviews †
- Andrea Selleri on Decadence
- Sven-Johan Spånberg on Salomé and the Novels of Balzac †
- Sarah Victoria Turner on Wilde’s tomb †
- Emmanuel Vernadakis on Wilde and Williams †
- Costanza Vettori on De Profundis †
- Linda Pui-ling Wong on Wilde’s influence on modern Chinese literature †
Publications noted
- A new edition of Rue des Beaux Arts
Videmus
- A new section featuring videos, beginning with Merlin Holland and Patrick Cambon
DECEMBER 2016
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XIX
Assuming Oscar Said It
- A new misattribution
The Critic as Critic
- Sue Lloyd on Claudette Joannis on Sarah Bernhardt †
- Pascale Mc Garry on Marie Krysinska’s poetry †
- Derek Mahon on Sue Lloyd on Edmond Rostand †
- Elizabeth Carolyn Miller on James Alexander on Shaw’s Socialism †
- Bart Moore-Gilbert on Roberta Baldi on Kipling’s Departmental Ditties †
- Maureen F. Moran on Kenneth Daley on Pater and Ruskin †
- Mireille Naturel on Evelyne Bloch-Dano on Madame Proust †
- Michael O’Rourke on Richard Halpern on Sodomy and Sublimity in the Sonnets, Wilde, Freud, and Lacan †
- Patrick Pollard on Xavier Giudicelli on Dorian Gray
- Patrick Pollard on Masson & Prévost on Wilde and Gide
- Marco Pustianaz on James Willsher on English Decadence †
- Julie-Ann Robson on Charles Conder †
- David Charles Rose on Joseph Bristow on Oscar Wilde and Modern Culture
- Caroline Rossiter on Oscar Wilde, l’impertinent absolu
- Liberato Santoro-Brienza on Elisa Bizzotto on the imaginary portrait at the fin de siècle †
- Roselinde Supheert on Salomé in Amsterdam †
- Laurence Talairach-Vielmas on Andrew Mangham’s Violent Women †
- Laurence Talairach-Vielmas on Sarah A. Willburn on Victorian Mystical Writings †
- Yves T’Sjoen / Eva Thienpont on Maeterlinck tr. Stefaan van den Bremt †
May I Say Nothing?
- James Gregory on Lady Mount Temple and Constance Wilde †
- Yvonne Ivory on Wilde in Modernist German Opera †
- Alberto Lázaro on The Picture of Dorian Gray in Postwar Spain †
- Ranald Macdonald on Pater and Hegel †
- Mia L. McIver on subjection in Morris, Pater, and Wilde †
- Brendan McWilliams on Wilde and the Weather †
- Heather Marcovitch on Wilde at the Shaw Festival, Niagara-on-the Lake
- Jeremiah Merceruio on Max Beerbohm and the Art of Decadent Illustration
- Terry L. Meyers on Pagans and Paganism †
- Andreas Pichler on Fog in The Picture Of Dorian Gray †
- Annie Ramel on The Picture of Dorian Gray †
- David Charles Rose on Vyvyan Holland †
- Bruce Stewart on fin de siècle Metaphysics in Wilde, Yeats and Joyce †
- Miles Tittle on P. Craig Russell’s Salomé †
- James P. Walsh on Leadville †
Publications noted
- Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900 by Dominic Janes
- The Brothers Wilde by
- New article on The Ballad of Reading Gaol by Peter Robinson
Some Sell and Others Buy
- A new scent
NOVEMBER 2016
Announcements
- Call for Papers: George Bernard Shaw
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XVIII
The Critic as Critic
- Chantal Beauvalot on Georges-Paul Collet’s Jacques-Emile Blanche †
- Phillippa Bennett on Tom Pinkney’s Morris †
- Isa Bickmann on Fludernik & Humml’s fin-de-siècle †
- Elisa Bizzotto on Michael Matthew Kaylor on Hopkins, Pater and Wilde †
- Luca Caddia on Daniel A. Novak’s photography and fiction †
- Susan Cahill on Laurence Talairach-Vielmas’ Female Body †
- Simon Dentith on Lady Bracknell’s Confinement †
- Peter Dunwoodie on Mallarmé’s Herodias †
- Tine Englebert on Floortje Zwigtman’s Spiegeljongen †
- Michael Patrick Gillespie on Madeleine Humphreys on Edward Martyn †
- Christine Huguet on Margaret D. Stetz and Cheryl A. Wilson (edd.) on Michael Field †
- Jarlath Killeen on Catherine Maxwell’s Swinburne †
- Mary C. King on Hedda Gabler †
- Ruth Kinna on H. Gustav Klaus and Stephen Knight (edd.) on Anarchism †
- Andreas Kramer on Isa Bickmann‘s Leonardismus †
- Paul Levy on Kenneth James on Escoffier †
- Ruth Livesey on Leela Gandhi on the Fin-de-Siècle and Friendship †
May I Say Nothing?
- Michel Borel on translating Wilde
- David Cottington on the Avant-garde †
- Antonio José Couso Liañez on Wilde as Satirist
- Joost Daalder on Salomé †
- Helen Caroline Davies on Trilby, The Picture of Dorian Gray, and anxieties about influence †
- Niko Endres on Lowes Dickinson and Greek Love †
- Magali Fleurot on Socialism and Wilde †
- Paul Fortunato on Oscar Wilde’s Journalism and the Aesthetics of Lying †
- Elisa Gray on Decadence
- Elisa Gray on The Sphinx
- Irena Grubica on Wilde, Pop Music and The Art of Self-Invention †
- Danielle Guérin-Rose: Des Profondeurs †
- Alan Hart on Oscar Wade Wilde
- Trevor Harris on William Morris
- Leila Johnston on De Profundis
- Sondeep Kandola on Dorian Gray
- Mansour Khelifa on De Profundis
- Aoife Leahy on Wilde Over There*
- Kawinthra Luck: The theme of influence in Dorian Gray †
- John Mackenzie: Some Reflections on Aspects of Modernity †
- Arnaud Page: The ‘Crisis of Modernity’ and Graham Wallas †
- Stéphanie Prévost: The Eastern Question and Britain’s Foreign Policy (1876-1896) †
- David Charles Rose: Oscar Wilde and Pierre Puvis de Chavannes: Footnote to a Vermilion Line †
- David Charles Rose: Peering at Wilde through magic Casements †
Publications noted
- Selected Letters of Vernon Lee, 1856 – 1935: Volume I, 1865-1884
- Theodore Wratislaw: Fragments of a Life
Some Sell and Others Buy
- A Sotheby’s sale
OCTOBER 2016
Announcements
- Book launch in Paris
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XVII
The Critic as Critic
- Ivana Bacik on Merlin Holland on Wilde’s trials †
- Elżbieta Baraniecka on Earnest in Augsburg †
- Uwe Böker on Wilde’s legacy †
- Joost Daalder on The Portrait of Mr W.H. †
- Antoine Capet on Millais †
- Petra ten-Doesschate Chu on Pissarro †
- Margaret de Fonblanque on Toulouse-Lautrec in Vienna †
- María DeGuzmán on Junot Diaz on Oscar Wao †
- Jane Desmarais on Diana Holmes on Rachilde †
- Richard Dury on Katherine Linehan’s edition of Dr Jekyll and Mr Hyde †
- Tine Englebert on Zemlinsky in Brussels †
- Richard Fantina on Adrian Wisnicki on conspiracy †
- Trevor Fisher on Colm Tóibín’s Love in a Dark Time †
- Richard Freed on Dorian Gray in Lexington †
- Nicola Gauld on Rodin †
- Patricia Gillespie & Sam Olson on Salomé in Honolulu †
- Tina Gray on Joy Melville on Ellen Terry †
- Jacqueline Groth on Toni Bentley on Salomé †
- Danielle Guérin on An Ideal Husband in Paris †
- Danielle Guérin on exhibiting Salomé †
- Malcolm Hicks on Walter Crane †
- Michael D. Higgins on Ben Levitas on theatre †
- Peter Hyldekjær on Salomé in Copenhagen †
- Lesley Jenike on Earnest in Cincinnati †
- Jean-David Jumeau-Lafond on Gustave Moreau †
- Petra Kerkhove on Floortje Zwigtman’s Schijnbewegingen †
- Ruth Kinna on Brian Morris on Kropotkin †
- Rainer Kohlmayer on Waleska Schwandt’s revisionism †
- Rainer Kohlmayer on Florina Tufescu’s Wilde’s plagiarism †
- Eugene D. LeMire on William Morris in Adelaide †
- Mark Llewellyn on Earnest in Swansea †
- Deirdre McMahon on Toni Bentley on Salomé †
- John McRae on Neil McKenna on Wilde †
- Sandra Mayer on Kolo Moser in Vienna †
- Sandra Mayer on Sacher-Masoch in Graz †
- Mathilde Mazau on Isaure de Saint-Pierre’s Wilde & Douglas (in French) †
- Roger Moss on Earnest in Brighton †
- Eiléan Ní Chuilleanáin on Caspar Wintermans’ Bosie †
- Tiffany Perala on Earnest in Nottingham †
- Richard Pine on John Sloan’s Oscar Wilde †
- Patrick Pollard on Pascal Aquien’s Oscar Wilde †
- Virginie Pouzet-Duzer on Rhonda Garelick’s Electric Salomé †
- Annabel Rutherford on Rhonda Garelick’s Electric Salomé †
- Philip E. Smith on Earnest in Pittsburgh †
- Joni Spigler on Gustave Moreau in Paris †
- Eva Thienpont on Earnest in Ghent †
- Heather White on Earnest in Belfast*
Fingal’s Cave
- Salomé and Eleonora Duse
May I Say Nothing?
- M. Tully Atkinson on Wilde and Somerset Maugham †
- Constant Bantman on British Anarchism †
- Patricia Flanagan Behrendt on Wilde †
- Jason Boyd on Wilde and Victorian Edutainment †
- Isabelle Cases on Architecture, Arts & Crafts †
- Robin Chamberlain on the Cruelty of Women †
- Nevin Yıldırım Koyuncu on Wilde and Stoppard †
- Kate Macdonald on Wilde, Betjeman and Buchan †
- Annabel Rutherford on Wilde and Diaghilev †
- Marcelle Wong on Whistler and Wilde †
The Poetic Legacy
- New posting of John Betjeman’s ‘Arrest of Oscar Wilde’
SEPTEMBER 2016
Announcements
- Special issue of Victorian Poetry
- Conference: 19thc. masculinities
- New production of The Duchess of Padua
- Wilde panel in Toronto
- New production of More Lives than One
- Oscar Wilde Seminar in London
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XVI
The Critic as Critic
- Saralinda Abitbol on Redgrave †
- Jad Adams on R.K.R. Thornton’s Wratislaw †
- Anne Anderson on Leslie Mitchell’s Lytton †
- Pascal Aquien on Smith’s Approaches †
- Bruce Bashford on Dorian Gray †
- Bruce Bashford on Zemlinsky †
- Bruce Bashford on Michael Robertson’s Whitman †
- John Batchelor on John Gardiner’s Victorians †
- Sighle Bhreathnach-Lynch on Debra Mancoff’s Pre-Raphaelite flowers †
- Leanne Bibby on Louise Hadley’s Neo-Victorians †
- Mary Warner Blanchard on David Weir’s American decadence †
- Anne Bogle on Thomas Kilroy’s Constance Wilde †
- Chiara Briganti on Marco Pustianaz and Luisa Villa’s Masculinities †
- Grace Brockington on Talia Schaffer’s Literature and Culture + Talia Schaffer’s reply †
- John Bryce on Matthew Bourne’s Dorian †
- Anya Clayworth on G.W.M. Reynolds edited by Anne Humpherys and Louis James †
- Bénédicte Coste on Douglas Mao’s fateful beauty †
- Rebecca Crowley on Daisy Goodwin’s last duchess †
- Linda Dryden on Deborah Lutz’s Dangerous Lovers †
- Andrew Eastham on Smith’s Approaches †
- Tine Englebert on Salomé †
- Paul Fox on Caroline Blyth’s decadet poets †
- Adrian Frazier on Melissa Knox’s Wilde †
- Regenia Gagnier on Patience †
- Regenia Gagnier on Sheila Rowbotham’s Carpenter †
- Penny Gay on Gross Indecency †
- Yvonne Ivory on Lucia Krämer’s fictionalised Wilde †
- Sondeep Kandola on Corin Redgrave’s De Profundis †
- Angela Kingston on Wilde in Dieppe †
- Marie-Luise Kohlke on Merlin Holland’s table talk †
- Lucia Krämer on Oeser’s alphabetic Wilde †
- Aoife Leahy on Wilde in gay Dublin †
- John McRae on Josephine Small & Ian Guy’s Wilde study †
- Katherine Maynard on Gross Indecency †
- Mathilde Mazau on Isaure de Saint-Pierre on Wilde and Douglas †
- Maureen O’Connor on Jarlath Killeen on Wilde †
- Gwen Orel on Earnest †
- Léonee Ormond on Wilde’s Duchess †
- Léonee Ormond on The Selfish Giant †
- Michelle Paull on Salomé †
- Tiffany Perala on Earnest †
- Richard Pine on Parker’s Dorian Gray †
- David Charles Rose on Wilde’s Homer †
- Philip E. Smith II on Thomas Wright’s Oscar’s Books †
- Julia Steck on Earnest †
- Eva Thienpont on Tim Bellens’ Wilde †
- Eva Thienpont on Jeroen Oelyslaegers’ Wilde †
- Emmanuel Vernadakis on Christopher Nassaar’s Earnest †
- Marie-Noëlle Zeender on Lottman’s Wilde †
May I Say Nothing?
- Caroline de Bendern: Letter to Oscar
- Eleanor Fitzsimons on Wilde’s American hostesses (abstract)
- Matthew Brinton Tildesley on Wilde and Buddhism
Publications noted
- New book by Patrick Chambon
- New article by Caroline Sumpter
- New French translation by François Dupuigrenet-Desroussilles
- New French translation of Speranza
AUGUST 2016
Announcements
- George Egerton Conference
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XV
The Critic as Critic
- Pia de Richemont: Review of Wilde MSS in Oxford
- Jeremy Stubbs on Rosemary Yeoland’s new Camille Mauclair translation
- Sandra Meškova, Viesturs Vecgrāvis and Kārlis Vērdiņš on Ilze Kačāne on Wilde in Latvia
May I Say Nothing?
- The complete text of Ilze Kačāne’s Oskars Vailds. Latvijas „oskariāna” [Oscar Wilde. Latvian „Oscariana”]
- Bruce Bashford: ‘Thinking in Stories’: Oscar Wilde’s ‘The Sphinx Without a Secret’
- Brandy Clark: ‘Rose-White Purity’: Flowers in The Picture of Dorian Gray
The Poetic Legacy
- New haiku by Gabriel Rosenstock
Publications noted
- New article by Rebecca Mitchell
- New book by Xavier Giudicelli
- New edition of Lord Arthur Savile’s Crime
Round Up
- Summaries of the worldwide Wilde in 2004 and 2005
Wilde Journals
- The Table of Contents of all issues of The Wildean has been updated to include no.49, July 2016
JULY 2016
Announcements
- New Robert Louis Stevenson Newsletter
- Call for papers about American, British, European, and/or World theatre during the long nineteenth century
- Events in Reading Gaol
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XIV
Exhibitions
- Details of the Paris Oscar Wilde Exhibition, with Press Release
- Richard Le Gallienne
The Poetic Legacy
- New poem by Gabriel Rosenstock
May I Say Nothing?
- Josephine Whelan on Dorian Gray and Gothic servants
Publications noted
- Two new Wilde translations into French
Round Up
- Summaries of the worldwide Wilde in 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013 & 2014
JUNE 2016
Announcements
- Fin de siècle conference at Birkbeck
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XIII
The Critic as Critic
- Frederick Roden: Review of The Judas Kiss in New York
- Frederick Roden: Review of Gerald Barry’s Earnest
- Lily Rothenberg: Review of The Judas Kiss in New York
May I Say Nothing?
- Pascal Aquien on Wilde and Keats
- Ryan Weberling on Wilde and Race
- Eva Roa White on The Importance of being Earnest
Publications noted
- New article by Philippe Corcuff
- New article by Graham Price
- New book by Emer O’Sullivan
- New book on Beardsley by Linda Zatlin
- New editions of Rue des Beaux Arts and Etudes anglaises
MAY 2016
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XII
The Critic as Critic
- Alice Condé: Review of Kostas Boyiopoulos: The Decadent Image: The Poetry of Wilde, Symons and Dowson
- Frederick Roden: Review of James Campbell: Oscar Wilde, Wilfred Owen, and Male Desire: Begotten, Not Made
Exhibitions
- Two exhibitions noted
Fingal’s Cave
- Shooting the Pianist
May I Say Nothing?
- Sarah Balkin: Realizing Personality in The Importance of Being Earnest (abstract)
- Vybarr Cregan-Reid: Running Wilde: Landscape, the Body, and the History of the Treadmill (abstract)
- Howard R. Wolf: Wit and Its Relation to Freedom and Convention: Individualism (Psychology) and Socialism (Anarchism) (conference paper)
Publications noted
- New article by Sarah Balkin
- New article by Joey Franklin
- New issue of Intentions
Round Up
- A summary of the worldwide Wilde in 2015
APRIL 2016
Announcements
- William Morris’s library
- Robert Louis Stevenson’s library
The Artist as Critic
- Dan Pearce: Oscar, the Second Coming Part XI
The Critic as Critic
- Anthony Fry: Review of Danielle et Christian Morris: Sigmund Freud et le fantôme d’Oscar Wilde.
- D.C. Rose: Review of Horst Schroeder: Oscar Wilde’s Reviews of the Grosvenor Gallery Exhibitions of 1877 and 1879: A Supplement to Reviews No. 1 and No. 4 in the Journalism’ volume of the OET ‘Complete Works of Oscar Wilde’
- Aileen Ruane: Review of Emily Eells (ed.): Wilde in Earnest
Fingal’s Cave
- Oscar Wilde and C.S. Lewis
May I Say Nothing?
- Thomas Wright: Wilde’s reading at school
