THE OSCHOLARS
Oscar Wilde and his Worlds
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*WILDE EVENTS
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General Announcements
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Assuming Oscar Said It
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Wilde Play by Play
Introduction
Sources
Abbreviations
Wilde’s Essential Writings
Wilde’s Drama and Its Background I
Wilde’s Drama and Its Background II
Wilde’s Drama and Its Background III
Selected Biographical Works
Selected Theatrical Commentaries
Wilde as Critic and Theorist
Commentaries on Individual Plays I
Commentaries on Individual Plays II
Commentaries on Individual Plays III
Commentaries on Individual Plays IV
Commentaries on Individual Plays V
Commentaries on Individual Plays VI
Commentaries on Individual Plays VII
Commentaries on Individual Plays VIII
Descriptive Chronology
Postscript
About the author
Some French Perspectives published in English
Secondary sources in Spanish
Correspondence
EXHIBITIONS
Fingal’s Cave
FOUND IN TRANSLATION
LIBRARY
Links
Lord Arthur Savile’s Crime
May I Say Nothing ?
Giulia Gozzelino: Oscar Wilde’s Wit: The Question of Translation
Jessica Sun : The Poetry of Oscar Wilde
Jessica Sun : Introduction
Jessica Sun : Chapter I § i
Jessica Sun : Chapter I § ii
Jessica Sun : Chapter I § iii
Jessica Sun : Chapter I § iv
Jessica Sun : Chapter II § i
Jessica Sun : Chapter II § ii
Jessica Sun : Chapter II § iii
Jessica Sun : Chapter II § iv
Jessica Sun : Conclusion
Jessica Sun : Bibliography
A Note on Jessica Sun
Yair Dagan: A Musical Accompaniment to The Picture of Dorian Gray
Hitomi Nakamura: A Farewell to the Redemptive Woman: The Traces of The Flying Dutchman in ‘The Canterville Ghost’
D.C. Rose: Oscar Wilde and the Chase of the Cantervilles
A Very Irish Irishman
Richard Strauss, Romain Rolland and Salomé
Oscar Wilde’s Elegant Republic
Our sister journals
RAVENNA
Notes for contributors
RAVENNA 1
Ravenna 1.2
Ravenna 1.3
Ravenna 1.4
Ravenna 1.5
Ravenna 1.6
Ravenna 1.7
RAVENNA 2
Ravenna 2.1
Ravenna 2.2
Ravenna 2.3
Ravenna 2.4
Ravenna 2.5
Ravenna 2.6
RAVENNA 3
Ravenna 3.1
Ravenna 3.2
Ravenna 3.3
Ravenna 3.4
Ravenna 3.5
Ravenna 3.6
Ravenna 3.7
THE SYBIL
Project WILLOW
Publications
Aesthetes & Dandies
Fin de Siècle / Decadence
General
Neo-Victorians
Art History
ROUND UP
RUE DES BEAUX ARTS
Shrines
Sir Arthur Conan Doyle
Some Sell & Others Buy
SPECIAL ISSUES
TELENY REVISITED
The Birthday of the Infanta
The Importance of being Earnest
SALOMÉ
Virginie Pouzet-Duzer: Introduction
David Charles Rose: Preface
Francesca Cavazza: Analyse du lexique des sens dans quinze ouvrages fin-de-siècle inspirés de Salomé, à l’aide du logiciel Hyperbase
Sandra Cheilan: De la figure mythique à la femme-fiction, Salomé une persona de la cosmogonie pessoenne
Christophe Cosker: Salomé ou la Naissance du strip-tease
Chloé Delaporte: Rita Hayworth dévoilée, La Salomé cinématographique de William Dieterle
Petra Dierkes-Thrun: Salomé in the Comics: P. Craig Russell’s Intertextual Adaptation from Strauss and Wilde
Adriano Duque: La légende de Salomé dans la Péninsule Ibérique
Emily Eells: Petra Dierkes-Thrun, Salome’s Modernity : Oscar Wilde and the Aesthetics of Transgression.
Pamela Ellayah: Traces du mythe de Salomé dans Bram Stoker’s Dracula (1992) de Francis Ford Coppola
Rhonda Garelick: Loie Fuller, An Electric Salome
Beatriz Gutierrez: « Salomé une présentation, re-présentation de la transgression »
Erik Haskell: Plumes et Pinceaux, Évocations chorégraphiques des sept voiles de la Salomé de Wilde
Yaël Hirsch: Eros & Politics, The Figure of Salome in Liliana Cavani’s “Nightporter”
Sharon Larson: The Dancing Decadent, Salomé and Literary Creation at the Fin de Siècle
Emily Lombi: La valse charmeuse de Salomé, du raffinement à la monstruosité
Thomas Morisset: Le mythe de Salomé, approches théâtrales et vidéoludiques du regard
Atsuko Ogane: Hérodiade aux lunettes
Joanna Rajkumar: Le mythe de Salomé au cinéma, du noir et blanc de Charles Bryant (1923) au délire de couleurs de Carmelo Bene (1972)
Myriam Robic: Genèse et influence des Salomé de T. de Banville, de Henri Heine à Jean Lorrain
Jennifer Spitzer: Unveiling the Dance of the Seven Veils, Oscar Wilde and the Power of Myth-Making
Rosemary Yeoland: Richard Strauss and his French Salomé
Appendices
French scholarship on Salomé
Salomé and Symbolism
The Wildean / Wilde about Wilde
Tine Englebert: Salomé – The Music
Articles on Salomé in THE OSCHOLARS Library
Editions of Salomé
A Romanian Edition
Notes on the contributors / Notes sur les participants
Joost Daalder: Salomé, Confusion & Misattribution
SPERANZA
THE ARTIST AS CRITIC
The Critic as Critic
Neo-Victorians
Helen Davies on Kathe Koja on brothels and puppets
Kym Brindle on Kohlke and Gutleben on Neo-Victorian Trauma
O’Callaghan on Davies on Puppets, Gender and Ventriloquism
Anastassiya Andrianova on Darya Gerasimenko’s Dorian Gray
Reviewed elsewhere
THE PICTURE OF DORIAN GRAY
The Poetic Legacy
The Rack & The Press
WORMWOOD
THE SOCIETY PAGES
Timelines
Videmus
WHO’S WHO
Wilde Days in Paris 2014
Theatre & Film
Exhibition
Noticeboard
The Committees
ACCOMMODATION
Accommodation in Paris (1)
Accommodation in Paris (2)
Accommodation in Paris (3)
Accommodation in Paris (4)
Wilde in Performance
Wilde Journals
Work in Progress
Wilde Publications
Salomé
WILDE PUBLICATIONS 2012
WILDE PUBLICATIONS 2013
WILDE PUBLICATIONS 2014
WILDE PUBLICATIONS 2015
Oscar Wilde’s Elegant Republic
UNDER CONSTRUCTION
A COMPANION TO THE BOOK
i. ILLUSTRATIONS TO ACCOMPANY CHAPTER I.
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