The following articles, initially published in other journals, have been reproduced in THE OSCHOLARS Library 
or in Rue des Beaux Arts 
.
|
Pascale Amiot |
Salomé sur le Pont des Arts (1ere partie). |
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|
Pascale Amiot |
Salomé sur le Pont des Arts (2e partie). |
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Megan Becker-Leckrone |
Salome: The Fetishization of a Textual Corpus |
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Annie Bisang |
Staging Salomé |
|
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Peter Cogman |
Wilde’s Salomé: Tenses, Tension and Progression in Salomé’s Final Monologue |
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Katherina Filips-Juswigg |
Mikhail Bulgakov’s The Master and Margarita and Oscar Wilde’s Salomé: Motif-Patterns and Allusions |
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Atsuko Ogane |
Du mythe solaire au mythe lunaire: d’Hérodias de Flaubert à Salomé d’Oscar Wilde. |
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John Paul Riquelme |
Shalom / Solomon / Salome: Modernism & Wilde’s Æsthetic Politics. |
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Helen Tookey |
‘The Fiend That Smites with a Look’: the Monstrous/Menstruous Woman and the Danger of the Gaze in Oscar Wilde’s Salomé. |
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Linda Pui-ling Wong |
The Initial Reception of Oscar Wilde in Modern China: With Special Reference to Salomé. |
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Linda Zatlin |
Wilde, Beardsley, and the Making of Salomé |
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